If things go wrong, you probably know what you need to do to fix them. You built it, you saved money doing so, and you get the pleasure of using it. If you are a DIY person, then you can make your own modules and double the enjoyment you get out of your modular. You can spend more time strategizing your purchases and sales than on the music. There are so many choices, so many cool modules, and yet there are limits to how much I can time and money I can spend on it all. My problem is that I am constantly seeing modules I want to buy, when I have hardly gotten my head around the ones I have. Sometimes I wonder whether I am really a modular person. Modular is not for everyone, and in saying that I do not mean to imply that cool or smart people are modular people. They show you how much can be done with a small number of modules. I would recommend that anyone curious about modular look up the videos of 54hp system performances perfectcircuitaudio posts. There is a lot that can be done with just a few modules. If I had it to do over again, I would probably start with a 3u 104hp skiff and a small number of modules that I would take time to learn before adding to the system. Sometimes I wonder whether I appreciate it sufficiently, given how little I have actually done with it versus how much money I invested in it. Just fiddling around with things you don't really know, experimenting in other words, is part of the deal. There's just something about the West Coast philosophy that I can't resist. What I probably should have done is started with much simpler Doepfer modules and worked my way up to Verbos. It's just more than I can justify for one module right now. Not that it isn't fully worth the money! Not complaining about the price. Would love to have his Barque Filter, but $750 dollars for a single module is something I balk at. Honestly, it was the Harmonic Oscillator that sold me. I kind of regret getting into modular that way, since Verbos' Buchla-style modules are definitely, for me, jumping into the deep end of the pool to learn to swim. I took the plunge 4 years ago and bought a Verbos Composition system. You will always have the possibility of adding a new filter, a different oscillator or very particular modules that simply do not exist in the world of non-modular analogues. In other words, the module-to-module configuration never ends. A modular synthesizer can be what you want it to be - if money and space allow it - do you want three oscillators? Six? 15? Two filters? One Multimode filter? Two Lowpass and three Highpass? How about a vocoder or a theremin? Maybe you want a specific filter from a Russian synthesizer of the 60s? Most likely, someone somewhere in the world will have built a module that will satisfy your desires. This flexibility is very different from non-modular systems and the possibilities become endless. Then we have the analog non-modular synthesizers, Moog, Alesis Andromeda, the most recent Prophet 12, Roland, Korg, among others.Īnd in the most esoteric and niche area we have the modular, where unlike a non-modular, you can decide the configuration of your monster according to your own tastes: filters, oscillators, mixers, ring modulators, sequencers, effects, very rare sources of effects, random, sampler, etc. The same happens with a laptop loaded with VST plugins running some DAW software and provided with a quality sound card. Most commercial synthesizers today are digital: their internal computers emulate the various forms of analog synthesis. The irony is that the modular ones were the first synthesizers, the only commercial synthesizers until the arrival of portable models already wired internally, such as the Minimoog.
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